This painterly image by Yuriy Leskiv (AKA Hocklander) was found in the Objective Scenes Flickr group. It was made with Camera+, AutoPainter, PSexpress, and Filterstorm.
Tag Archives: camera+
“Horces in the wild” by Hochlander
TTV #1: “Laces up”
Through The Viewfinder (or TTV) photography is created by taking a photo through the viewfinder of another camera. This works great with the huge viewfinders on older twin reflex cameras, but the tiny camera on mobile cams provides great opportunities to shoot through all sorts of viewfinders. It’s also a great way to provide a fresh look to your mobile photography.
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Deluxe
This shot of an old Chevrolet was taken using the Camera+ app. First I applied the Clarity preset to enhance the detail then the Sunkiss’d preset, which I dialed down until there was just a little bit of warmth added to the image. Finally, using the radial tilt shift in InstagramI, I blurred the image except for the headlight to focus attention there and simulate a shallow depth of field.
Beer
The iPhone is a great camera for capturing candid photos of strangers on the street. I don’t know of a more discreet camera. For this shot I used the Camera Genius app’s Big Button feature, which allows you to use the entire screen as the shutter button. I was able to shoot this from the hip by just tapping the screen without worrying about hitting a particular spot for the shutter button. The sun was harsh and in the original image the subject had really dark shadows around the eyes. So the first step was to open the image in FilterStorm to make a curves adjustment to lighten up the eyes. I applied this with a mask on the eyes so that the rest of the image was unchanged. Next step was to run the Camera+ Clarity preset to bring out more detail. Finally I brought the image into Cameramatic for the black and white conversion and the frame. Cameramatic has become my favorite app for black and white because it has some presets but allows you to really customize the processing.
Escalator
I’m fascinated with how a long exposure can transform an ordinary scene into something surreal. For this shot I placed my iPhone on the ground, centered at the bottom of a moving escalator and took a four second exposure using the SlowShutter Cam. It’s important to use the timer to minimize movement of the phone. I wanted the final image to be edgy so I opened the long exposure image in Camera+ and applied the Clarity filter. I saved the file and then repeated this two more times to really bring out the detail. Before saving the last time, I applied the Redscale effect in Camera+ and dialed it down a touch with the slider.
Buff Monster
Downgrade
I was returning to work after an unsuccessful lunch hour photo walk when the architecture of the San Francisco Federal Reserve building caught my eye. I wanted to include a human element so I found the spot that gave me the juxtaposition I had in mind. I waited for a person to walk into the frame and snapped a couple shots with the Camera+ app. I knew going in that I wanted to process this image in black and white so I started with the Camera+ Clarity scene and Ansel B&W effect. I was happy with the result but wanted to take it a little further. I opened the B&W in Decim8 and experimented until I found a result I liked. I saved this and then re-ran Decim8 on the original B&W until I got another result that I like but was different from the first. I combined the two Decim8 edits with the original B&W using the awesome Interlacer app. Finally, I added the border with the Cameramatic to get the image above.
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Hopscotch
Good Morning
I’m often amazed at the iPhone’s ability to make a picture the looks better than the same picture made with a DSLR. This shot was an afterthought. I had been attempting to shoot this scene of the Golden Gate Bridge at sunrise for a good half hour but could not manage to get a shot I liked. I finally gave up and started to head back to the car when I decided to snap a couple of iPhone shots for the heck of it. Once I got back home and started looking at the shots, I liked what I saw.
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